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When the academy was first founded, there was a serious shortage of art education options for ambitious women artists. This view was phrased by the architect Vilhelm Klein, who set up the privately owned and operated Tegne- og Kunstindustriskole for Kvinder School for Drawing and Applied Art for Women in Such convictions were typical of the general view of women artists at the time. As far as art was concerned, flower paintings — an excellent match for embroidery, another highly suitable domestic pursuit for young women — were regarded as the special province of women. As women were gaining increasing visibility in public spaces, and as they came to be in greater demand in the labour market due to industrialisation, a need emerged for more organized, thorough and institution-based education options for women.